The poem about the basil
I picked fresh from her yard,
juxtaposed with the wilted shit
I left behind at the supermarket.
That way the cycle of waking up
becomes one thousand eyes
spat in and defied because
all I’m doing is waking and spitting
and spitting and waking and
make no mistake, I’m trying
to break your heart. I refuse to
let this sob-wracked awe die off
with me, I stared so long so hard
emptiness filled back up, again,
the fingertip feel of a toothbrush
was electric and new – Jesus,
what a wonder. What a wonder.
The poem about the toothbrush
and the wonder. The one about
the podcast title in the feed –
[NEW] Call Your Parents
and the poem about voicemails
that trickle through the lines,
transcripts marking out mom’s
cognitive decline like tally marks,
one after another after another.
Writing poems used to be easy.
You were young, and your heart
was breaking and goddamn if those
don’t come the easiest, the poem
about the pocketknife, about hot
July sun beating down our backs
bayside on the dock, the poem
about watching my joy ripple out,
cresting waves all racing away
to break on someone else’s shore.
The poem about how I’m pulled
to playgrounds like magnet poles,
forces draw me toward swing sets
I’ve grown too tall for, the poem
about cutting up rings of plastic
methodically to save the turtles,
whom I love so vastly infinitely
more than myself, oh, the poem
about the turtles. They’re there,
sailing ocean gyres, which means
everything is going to be okay.
The poems about being okay, sing
praise for middle ground, stretches
of spitting and waking all woven up
into long chains, the span of days
that lives between the two truths –
spent watching, spitting, waiting
for the next mundane miracle so
I can write them down, savor it
like the way I enjoy hunger pangs –
proof something good is coming,
and make no mistake, something good
is coming. The poem about the waiting,
each day electric and new – Jesus,
what a wonder. What a wonder.








